The material on 4 Days in the South represents a coming to grips with my true love of vocal-oriented bluesy tinged rock with elements of funk, country and jazz thrown in for flavor. The maniacal guitar and fiendish musical humor prevalent on my recent Favored Nations’ releases is still represented here although subdued in comparison and in the context of vocal ditty’s. This has always been the material I have gravitated to and certainly my period of writing instrumental guitar music happened for a reason but it was the real deviation from the path and this is a return to it.